
DROP – Drops the Plot, Not the Ball
When Violet, a savvy yet guarded young woman, agrees to meet a man she barely knows for a casual first date, the worst she expects
"Cinema is about the fusion of all the arts—it's where literature, painting, photography, music, and theater all collide into one experience."
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When Violet, a savvy yet guarded young woman, agrees to meet a man she barely knows for a casual first date, the worst she expects

A year after her sister Melanie vanishes, Clover (Ella Rubin) gathers a group of friends and heads to Glore Valley — a snowy, isolated ghost

It’s a rare thing to walk into a film blind these days — no trailer, no thumbnails, no algorithmic spoilers clawing at your curiosity. I

Bong Joon Ho doesn’t enter cinema. He inhabits it, reshapes it, and invites us to peer into altered reflections of our own world. Mickey 17

There are rare breeds of cinema that don’t merely tell a story — they inhabit your very senses. Ryan Coogler’s Sinners is precisely that kind

There’s a certain weight that comes with finding the past boxed up in an attic — heavier still when it clangs like cymbals and grins

In Inheritance, director Neil Burger invites us into a world where the truth wears a thousand faces, and the past refuses to stay buried. The

In Novocaine, the pain doesn’t register — literally. Nathan Caine (Jack Quaid), a soft-spoken bank manager with a rare condition that makes him incapable of

What happens when the lines between genius and madness blur? When does admiration curdle into obsession? Opus, the latest psychological horror-thriller from A24, dives into

وسط حالة التكرار والنمطية التي أصبحت سمة للكثير من الأفلام الكوميدية المصرية، يظهر “سيكو سيكو” كمفاجأة غير متوقعة. فيلم بروح مجنونة وجريئة، يقدّم تجربة سينمائية

Steven Soderbergh has always thrived on breaking conventions, reshaping genres, and turning storytelling norms on their heads. From Traffic to Unsane, his lens has always

Some movies begin with a spark—an air of mystery, a setting rich with possibility, and a narrative that hints at something grander. The Gorge (2025)

Ancient Egypt has always lived at the intersection of fact and imagination. For us Egyptians, it’s not just history it’s part of who we are.
Attending the Arab Cinema Rising: From Local to Global masterclass at the 46th Cairo International Film Festival was like stepping into the engine room of

We were about to learn from a man who didn’t just make comedies—he redefined them. Mohamed Abdel Aziz spoke not about jokes, but about life,
Why Has Horror Never Found a True Place in Egyptian Cinema? Egyptian cinema is one of the oldest film industries in the world, dating back