
The Naked Gun – Just if you thought this genre is long gone!
After years away from the force, Frank Drebin Jr. (Liam Neeson) is pulled back into duty when a global conspiracy threatens to unleash chaos. But
"Cinema is about the fusion of all the arts—it's where literature, painting, photography, music, and theater all collide into one experience."
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After years away from the force, Frank Drebin Jr. (Liam Neeson) is pulled back into duty when a global conspiracy threatens to unleash chaos. But

Spike Lee’s Highest 2 Lowest reworks Ed McBain’s King’s Ransom through a New York prism and keeps Akira Kurosawa’s moral heartbeat close at hand. The

Paul Thomas Anderson is one of the few contemporary filmmakers whose voice carries across very different films: the ensemble chaos of Boogie Nights and Magnolia,

Set in the small town of Maybrook, Weapons begins with a nightmare: nearly all of teacher Justine Gandy’s (Julia Garner) students vanish overnight. Only one

At its wheel, this film isn’t simply about engines roaring back to life—it’s about a man who once ruled the grid returning for one last

Nearly three decades after the Rage virus devastated Britain, civilization has managed to rebuild itself into scattered, fortified communities. The infected—now known as “the horde”—still

In the golden age of Cold War spy thrillers, tension lived in alleys, hand-offs, and whispers. Today, espionage has shifted to keyboards, codes, and silent

When Violet, a savvy yet guarded young woman, agrees to meet a man she barely knows for a casual first date, the worst she expects

A year after her sister Melanie vanishes, Clover (Ella Rubin) gathers a group of friends and heads to Glore Valley — a snowy, isolated ghost

It’s a rare thing to walk into a film blind these days — no trailer, no thumbnails, no algorithmic spoilers clawing at your curiosity. I

Bong Joon Ho doesn’t enter cinema. He inhabits it, reshapes it, and invites us to peer into altered reflections of our own world. Mickey 17

There are rare breeds of cinema that don’t merely tell a story — they inhabit your very senses. Ryan Coogler’s Sinners is precisely that kind

Ancient Egypt has always lived at the intersection of fact and imagination. For us Egyptians, it’s not just history it’s part of who we are.
Attending the Arab Cinema Rising: From Local to Global masterclass at the 46th Cairo International Film Festival was like stepping into the engine room of

We were about to learn from a man who didn’t just make comedies—he redefined them. Mohamed Abdel Aziz spoke not about jokes, but about life,
Why Has Horror Never Found a True Place in Egyptian Cinema? Egyptian cinema is one of the oldest film industries in the world, dating back